Christian Schad and the Neue Sachlichkeit, edited by Jill Lloyd and Michael Peppiatt. Untitled (Friends of Photography) The catalog documents a wide

The catalog documents a wide array of experimental techniques that were gaining mainstream art-world traction in 1980:

discussing the evolution of photojournalism and the impact of the digital transition on the industry

Crown & Camera: The Royal Family and Photography

thematic sections:

Brigidi’s color photographs of angels in Pompeii frescoes and the deteriorating walls around them

Christian Schad and the Neue Sachlichkeit, edited by Jill Lloyd and Michael Peppiatt. Untitled (Friends of Photography) The catalog documents a wideSchirmer Mosel Verlag, Munich in association with Neue Galerie, New York, 2003. Hardcover, fine with very good dust jacket that has a few thin scratches and small indentations, and a crimp at bottom corner of inner front panel. Issued in connection with an exhibition at Neue Galerie. 260 pages. Christian Schad (1894 1982) was a leading figure in the Neue Saclichkeit (New Objectivity) movement of the 1920s whose oeuvre featured a wide range of subjects