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surrealist-leaning darkroom collages (which he called fotoplastiks)
the publication contextually frames computer manipulation within art history
Naylor uses his expertise to demonstrate that New England was not merely a picturesque subject for the camera
color processes
Emmeline Pankhurst marching for women's rights
Schulthess, Emil. Soviet Union. Photos by Emil Schulthess. Text by Harrison E. Salisbury Untitled (Friends of Photography) surrealist-leaning darkroom collages (which heHarper & Row, 1971. [Excellent photo reportage in Russia by Schulthess with perceptive text by Salisbury. Another of the dozen or so large photo books, not including various editions and translations, by Swiss photographer Emil Schulthess (19131996), whose publications depict Europe, Asia, Africa, Antarctica, South America, and the United States.] Hardcover with crease lower corner of flyleaf, otherwise fine, no dust jacket. Summary: Soviet Union is a